The Road / Cormac McCarthy

Just remember that the things you put into your head are there forever, he said. You might want to think about that.
You forget some things, don't you?
Yes. You forget what you want to remember and you remember what you want to forget.
Cormac McCarthy, The Road
"To live a creative life we must lose our fear of being wrong." Joseph Chilton Pearce

"If you press me to tell why I loved him, I feel that this cannot be expressed,
except by answering: Because it was he, because it was I."
Michel de Montaigne, "Of Friendship"

Friday, October 29, 2010

Paul, Chapter Two


            I was reading Kafka crossed-legged on the bed. It was ten. I knew I had to sleep but he was playing Liszt downstairs. I closed my eyes and counted the notes. I imagined his right foot pedaling. It was two when I woke to the sound of rain. His pillow was soft and cold. I walked out the room holding Kafka, turned the hallways lights on, and stood by the doorway rubbing my eyes. He was coming out of the guest room, I thought. He called my name. Was I all right? I’m okay, I told the wall. He took my Kafka. Something blinded me. It was not the light. It was his hand. Did he wake me? No, I told him. And then he hugged me. I blinked inside his hand. He never took anything from my hands, always was the one to be hugged. He smelled of coffee and he was shivering. I became lost. I must owe him so many apologies. I felt Kafka drop on my foot. I took away his hand to see, but he leaned on the wall, his head on my shoulder, shaking, so that the lights went off. I had not the faintest idea why he was awake at two, or why he had come out of the guestroom where there was nothing except my grandfather’s old rocking chair. I did not know what made him cry. He was saying my name, brokenly and incorrectly. Paul. Did you have a bad dream? I’m here. Please don’t cry. Paul? He was crying aloud. Tears and saliva and perspiration felt warm on my shoulder. I did not know what to do. I wanted to pat his back, but the wall was blocking. I held his hand. He hiccupped. Let’s go sit on the bed, I told him. Kafka felt wet under my bare feet.
            Please don’t cry. I said please like it would stop him from crying altogether. It was a word that became almost obsolete. It was thought as an antiquated symbol of man having to ask for something. But sometimes I would use the word, say things like “Please eat,” although he ate well. I got him a box of Kleenex and touched his ear. I waited, like he has always done with me, until he was done crying. I listened to the rain. I did not say anything. I studied his shirt become polka-dotted, thought of the day we married when I cried in the bathroom because everybody told me I was making a terrible mistake. Except grandfather, of course. He was always on my side. 

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