The Road / Cormac McCarthy

Just remember that the things you put into your head are there forever, he said. You might want to think about that.
You forget some things, don't you?
Yes. You forget what you want to remember and you remember what you want to forget.
Cormac McCarthy, The Road
"To live a creative life we must lose our fear of being wrong." Joseph Chilton Pearce

"If you press me to tell why I loved him, I feel that this cannot be expressed,
except by answering: Because it was he, because it was I."
Michel de Montaigne, "Of Friendship"

Friday, August 6, 2010

Chapter XX: The End of the Middle Ages

He carried her to the window, so that she, too, saw all the view.
--E. M. Forster, A Room with a View

He, being George Emerson, being the room with a view. 

Chapter IX: Lucy as a Work of Art

Lucy thinks of Cecil as a "drawing-room"--a room without a view--although to Cecil, Lucy is his only view. The paradox here of how they regard each other foreshadows their separation. For there cannot be a view in a drawilfng-room, and Cecil is left as a confined, selfish man despite his affected ambience of sophistication. When he asks Lucy what kind of room he is to her, and with what view, she unequivocally answers, "With no view, I fancy" and adds the rejoinder, "Why not?" as if Cecil should have known this already. As if it is no question whether Cecil is a windowless room, for he undeniably is. 

One Writer's Beginnings

I learned in the doing how ready I had to be. Life doesn't hold still. A good snapshot stopped a moment from running away. Photography taught me that to be able to capture transience, by being ready to click the shutter at the crucial moment, was the greatest need I had. Making pictures of people in all sorts of situations, I learned that every feeling waits upon its gesture; and I had to be prepared to recognize this moment when I saw it.
These were things a story writer needed to know. And I felt the need to hold transient life in words—there's so much more of life that only words can convey— strongly enough to last me as long as I lived. 
Eudora Welty, One Writer's Beginnings
I was reading the Smithonian and stumbled upon this article about Welty--not only the writer, but also the photographer. I had read and analyzed a brief piece of her work in my AP English Language class for only forty-five minutes, but that was enough to convince me of her great writing. How as a young girl she had to put up with the "dragon" librarian and still kept reading nevertheless. How she became a writer--and also an artist.


I am done, I would like to say. I am done with words, as I write down my three thousand two hundred ninety-seventh word zephyr. But of course I will never be done. Never with words.

"The word is a flame burning in a dark glass."
--Shelia Watson

Monday, August 2, 2010

1452

1452. Frond: the leaf of leaflike part of a palm, fern, or similar plant


Freddy reared a freckled face and a pair of snowy shoulders out of the fronds.
E. M. Forster, A Room with a View

I never thought I would come across a word like frond, except in biology books. But here is Forster using my 1452nd vocabulary!